**Cosmological Models of the High Elves**

The High Elves’ understanding of the universe is shaped by their magical framework, _Kigenritsu_ (基元律), and their attempts to reconcile its principles with observable reality. These cosmological models were largely developed before the discovery of the **Harmonies of the Gods** in the mid-1500s and the **Great Burning** in 1728 FA. Each model reflects a distinct interpretation of the **Primal Harmonics** and the nature of existence, with notable figures championing and refining these ideas over centuries. **1. The Harmonic Sphere Model** (_Kyōmei Enkansetsu_, 共鳴円環説) **Overview** The universe is a **nested series of concentric harmonic spheres**, each corresponding to one of the **144 Primal Harmonics**. This model proposes that reality is layered, with the harmonics resonating outward from a central source, shaping the observable universe. **Key Figures** - **Sō Yūmei (宗幽明)** (938–1520 FA): First formulated the Harmonic Sphere Model in **1002 FA**, proposing that the harmonics radiate outward like ripples in a pond. He was influenced by early efforts to unify fragmented magical traditions under the Daikan'in. - **Kō Rinmu (高林霧)** (1080–1728 FA): Refined the model in **1105 FA**, integrating empirical observations of harmonic interactions. He argued that the outermost spheres were inaccessible due to their instability. **Significance** The Harmonic Sphere Model became the foundation for early efforts to standardize _Kigenritsu_. Its hierarchical structure aligned with the symbolic importance of the number 144, reinforcing its philosophical acceptance. **2. The Fractal Resonance Model** (_Rekishi Kyōmeisetsu_, 歴史共鳴説) **Overview** The universe is **infinite and fractal in structure**, with each harmonic forming part of a recursive web of interconnected resonances. The model suggests that every harmonic contains subharmonics and metaharmonics, creating a self-similar structure at all scales. **Key Figures** - **Rei Fukyō (霊福葉)** (1213–1679 FA): Introduced the Fractal Resonance Model in **1251 FA** after observing unexpected variations in harmonic frequencies during experiments. He posited that these variations reflected hidden subharmonics. - **Shū Gyokushō (周玉昌)** (1280 FA–): Expanded the model in **1320 FA**, proposing that the fractal structure of the harmonics explains the universe’s apparent infinite complexity. **Significance** The Fractal Resonance Model challenged the traditional view of 144 fixed harmonics, introducing the possibility of infinite subharmonics. It gained traction among radical scholars seeking to expand the boundaries of _Kigenritsu_. **3. The Celestial Harmony Model** (_Tenkyū Kyōmeisetsu_, 天球共鳴説) **Overview** The universe is a **cosmic symphony**, with the Primal Harmonics representing notes, chords, and rhythms in an eternal composition. Every aspect of reality corresponds to a musical element, with the harmonics creating the melody of existence. **Key Figures** - **Chō Kōmei (張恒明)** (982–1657 FA): Proposed the Celestial Harmony Model in **1019 FA**, inspired by the musical metaphors used in early descriptions of _Kigenritsu_. He viewed the harmonics as divine expressions of cosmic order. - **Kyo Tōsho (許東昇)** (1101 FA–A): Formalized the model in **1130 FA**, introducing the concept of harmonic “chords” to explain the interactions between multiple harmonics. **Significance** This model emphasized the symbolic and artistic aspects of the Primal Harmonics, inspiring ritualistic and performative approaches to _Kigenritsu_. It also reinforced the cultural reverence for the harmonics as divine expressions. --- **4. The Void-Tide Model** (_Kyomu Chōryūsetsu_, 虚無潮流説) **Overview** The universe is a **dynamic equilibrium between creation and void**, with the Primal Harmonics representing forces of creation and the entropy of the void exerting a constant counterforce. Reality is sustained by the tension between these opposing forces. **Key Figures** - **Ri Shōtai (李松泰)** (1110 FA–): Developed the Void-Tide Model in **1150 FA** after studying the Entropic Harmonics. He argued that these harmonics are evidence of the void’s pervasive influence. - **Gen Kyōten (玄鏡天)** (1195 FA–122 SA): Expanded on the model in **1210 FA**, proposing that void energy is necessary for the stability of creation, as it prevents harmonic resonance from spiraling out of control. **Significance** The Void-Tide Model introduced a dualistic perspective on the harmonics, framing their manipulation as a delicate balance between opposing cosmic forces. It informed cautious approaches to manipulating Entropic Harmonics. **5. The Relational Nexus Model** (_Kankei Kōkōsetsu_, 関係交互説) **Overview** The universe is a **network of relationships** between harmonics, with every harmonic shaping and being shaped by others. The model emphasizes the interconnectivity of the harmonics and the systemic nature of their interactions. **Key Figures** - **Gi Kōjō (魏恒城)** (1038–1109 FA): Proposed the Relational Nexus Model in **1075 FA**, observing that changes in one harmonic often ripple across others. He theorized that these interactions form the underlying fabric of reality. - **Chin Myōsei (陳明誠)** (1150–1222 FA): Developed mathematical frameworks in **1190 FA** to map harmonic relationships, providing empirical support for the model. **Significance** The Relational Nexus Model promoted a holistic understanding of the harmonics, encouraging practitioners to consider the systemic effects of their actions. It influenced collaborative approaches to magic, with practitioners working together to harmonize complex resonances. **6. The Cyclical Resonance Model** (_Junkan Kyōmeisetsu_, 循環共鳴説) **Overview** The universe operates in **cycles of resonance**, with the Primal Harmonics rising and falling in strength over cosmic epochs. Each cycle represents a phase of creation, stability, and decay. **Key Figures** - **Hō Sekishū (方赤舟)** (1090–1163 FA): Introduced the Cyclical Resonance Model in **1135 FA**, inspired by patterns in the behavior of Entropic Harmonics. He argued that these cycles explain the periodic destabilization of the harmonics. - **Ei Shintaku (栄信卓)** (1225–1298 FA): Proposed in **1260 FA** that the Great Burning was a predictable outcome of a cosmic cycle nearing its end, long before the event itself occurred. **Significance** The Cyclical Resonance Model provided a framework for interpreting historical and cosmic events, suggesting that periods of stability and instability are inevitable. It shaped predictions about future harmonic behavior. **Scholarly Debates and Cultural Implications** - **The 144 Paradigm:** Traditionalists defend the idea of 144 harmonics as a symbol of cosmic unity and perfection, while models like the Fractal Resonance and Void-Tide theories challenge this view, proposing alternative interpretations of the universe’s structure. - **Harmonic Innovation:** Models emphasizing interconnectedness (e.g., Relational Nexus) encourage collaborative experimentation, while others (e.g., Fractal Resonance) inspire individualistic exploration of unknown harmonics. - **Legacy of the Harmonies of the Gods:** While these models predate the discovery of the Fields of the Gods, their proponents have adapted their theories to account for these harmonics, often treating them as exceptional phenomena outside the usual framework. **Conclusion** The High Elves’ cosmological models reflect their quest to understand the Primal Harmonics and their place in the universe. Each theory represents a unique perspective, shaped by the philosophical, cultural, and practical concerns of its time. As scholars continue to explore and refine these models, they advance the understanding of _Kigen no Ritsu_ while grappling with the mysteries of existence and the scars left by the Great Burning. ---

**Competing Theories on the Origin of the Universe in High Elven Thought**

The origin of the universe has been a central question for High Elven scholars, who have sought to reconcile the principles of _Kigenritsu_ with their cosmological models. These theories often reflect broader philosophical trends, as well as the cultural and scientific advancements of their time. Below are the major competing theories, their proponents, dates, and relationships to the cosmological models. **1. The Harmonic Genesis Theory** (_Kyōmei Sōgensetsu_, 共鳴創元説) **Core Idea:** The universe was created through the **resonance of the Primal Harmonics**, which emerged from a primordial void. This resonance initiated the formation of matter, energy, and space, with each harmonic playing a specific role in the structure of reality. **Key Figures:** - **Chō Kōmei (張恒明)** (982–1057 FA): Proposed the theory in **1025 FA**, inspired by his work on the **Celestial Harmony Model**. He argued that the harmonics are the divine “notes” that compose the symphony of existence. - **Kyo Tōsho (許東昇)** (1101–1174 FA): Expanded the theory in **1132 FA**, linking it to the **144 harmonics** framework and the idea of cosmic unity. **Relationship to Cosmological Models:** - Closely aligned with the **Celestial Harmony Model**, this theory views the universe as a deliberate and harmonious creation. - It emphasizes the symbolic perfection of the number 144, treating the harmonics as both the cause and the structure of the universe. **2. The Cyclical Origin Theory** (_Junkan Sōseisetsu_, 循環創世説) **Core Idea:** The universe undergoes **endless cycles of creation and destruction**, with each cycle resetting the harmonics. The current universe is simply the latest iteration in this eternal process. **Key Figures:** - **Hō Sekishū (方赤舟)** (1090–1163 FA): Proposed the theory in **1137 FA**, based on observations of recurring patterns in harmonic behavior that inspired the **Cyclical Resonance Model**. - **Ei Shintaku (栄信卓)** (1225–1298 FA): Strengthened the theory in **1265 FA**, arguing that the Great Burning was part of a larger cosmic cycle. **Relationship to Cosmological Models:** - Integral to the **Cyclical Resonance Model**, this theory explains the periodic destabilization of the harmonics as a natural part of cosmic renewal. - It views the Great Burning not as an anomaly but as an expected event in the cyclical timeline. **3. The Void-Origin Theory** (_Kyomu Sōgensetsu_, 虚無創元説) **Core Idea:** The universe emerged from the **interplay between void and creation**, with the void acting as the primordial state and the harmonics arising as a counterforce to its entropy. **Key Figures:** - **Ri Shōtai (李松泰)** (1110–1179 FA): Introduced the theory in **1152 FA**, inspired by his work on the **Void-Tide Model** and the behavior of Entropic Harmonics. - **Gen Kyōten (玄鏡天)** (1195–1254 FA): Expanded the theory in **1215 FA**, proposing that the void and creation exist in perpetual tension, shaping the evolution of the universe. **Relationship to Cosmological Models:** - Deeply tied to the **Void-Tide Model**, this theory frames the harmonics as temporary manifestations of order within an overarching void. - It emphasizes the instability of the harmonics and the inevitability of decay, aligning with the model’s dualistic perspective. **4. The Fractal Genesis Theory** (_Rekishi Sōgensetsu_, 歴史創元説) **Core Idea:** The universe has no definitive beginning or end, existing instead as an **infinite fractal structure** where harmonics continuously emerge and interact at all scales. **Key Figures:** - **Rei Fukyō (霊福葉)** (1213–1279 FA): Formulated the theory in **1253 FA**, extending his work on the **Fractal Resonance Model**. He argued that the harmonics are eternal and self-sustaining, forming a recursive web. - **Shū Gyokushō (周玉昌)** (1280–1345 FA): Developed mathematical frameworks in **1325 FA** to support the theory, linking the fractal structure to observable harmonic interactions. **Relationship to Cosmological Models:** - Closely aligned with the **Fractal Resonance Model**, this theory rejects the idea of a singular origin, proposing instead that the universe’s structure is self-generating and infinite. - It challenges traditional views of 144 harmonics, suggesting that new harmonics constantly emerge from the fractal continuum. **5. The Relational Emergence Theory** (_Kankei Shōseisetsu_, 関係生成説) **Core Idea:** The universe emerged through the **interactions of proto-harmonics**, which coalesced into the Primal Harmonics through mutual influence. Creation is an ongoing process shaped by the relationships between these forces. **Key Figures:** - **Gi Kōjō (魏恒城)** (1038–1109 FA): Proposed the theory in **1080 FA**, building on his work on the **Relational Nexus Model**. He argued that the harmonics are defined by their interactions rather than their individual properties. - **Chin Myōsei (陳明誠)** (1150–1222 FA): Formalized the theory in **1195 FA**, introducing the concept of “harmonic networks” to explain the emergence of order from chaos. **Relationship to Cosmological Models:** - Integral to the **Relational Nexus Model**, this theory views the universe as a product of systemic relationships. - It supports a collaborative approach to magic, emphasizing the interconnectedness of the harmonics and their origins. **6. The Eternal Resonance Theory** (_Eikyū Kyōmeisetsu_, 永久共鳴説) **Core Idea:** The universe has always existed as an **eternal resonance** of the Primal Harmonics. There was no creation, only the continual oscillation of these forces. **Key Figures:** - **Sō Yūmei (宗幽明)** (938–1020 FA): First proposed the theory in **1005 FA**, inspired by early work on the **Harmonic Sphere Model**. He argued that the harmonics are timeless and uncreated. - **Kō Rinmu (高林霧)** (1080–1156 FA): Expanded on the theory in **1110 FA**, suggesting that the observable universe is merely a localized expression of these eternal resonances. **Relationship to Cosmological Models:** - Aligned with the **Harmonic Sphere Model**, this theory treats the universe as a timeless system of nested resonances. - It reinforces the idea of 144 harmonics as a perfect and unchanging framework. **Scholarly Debates and Cultural Implications** - **Creation vs. Eternity:** The **Harmonic Genesis** and **Relational Emergence** theories emphasize a singular or collaborative act of creation, while the **Eternal Resonance** and **Fractal Genesis** theories reject the notion of a definitive beginning. - **144 vs. Infinite:** The **Harmonic Genesis** and **Eternal Resonance** theories uphold the traditional 144 harmonics framework, while the **Fractal Genesis** and **Relational Emergence** theories challenge this view, suggesting a dynamic or infinite system. - **Void as Origin:** The **Void-Origin Theory** uniquely emphasizes the role of entropy and decay as fundamental to the universe’s creation, contrasting with more order-focused models like the **Celestial Harmony** and **Harmonic Genesis** theories. - **Adaptation to Modern Discoveries:** The **Fields of the Gods** discovery and the Great Burning have led to significant reinterpretations of these theories, with scholars attempting to integrate these phenomena into their frameworks. **Conclusion** The High Elves’ competing theories on the origin of the universe reflect their intellectual diversity and the complexity of their cosmological models. These theories serve as both scientific inquiries and cultural narratives, shaping their understanding of _Kigen Ritsu_ and their place within the cosmos. As scholars continue to refine these ideas, they navigate the tension between tradition and discovery, seeking to uncover the ultimate truth of their universe’s origins.